So, you want to write an amazing story? This is how to write amazing stories using the 8-Point Story Arc.
I have to warn you if you read this article it may spoil a lot of “fun” movies for you because you will realise that the movie industry (especially in America) follows this pattern slavishly.
The 8 steps of the 8-Point Story Arc
Unsurprisingly the 8-Point Story Arc has 8 steps. Before we look at the steps in more detail, let’s list them.
Here they are:
- The quest
- Critical choice
A quite guide to the 8-Point Story Arc
The chances are you already follow a similar pattern when writing short stories, or even planning chapters. If you are familiar with “The Hero’s Journey” or the three (or five) act structure yu will see instantly how the 8-Point Story Arc fits almost exactly with these ideas.
This is the initial setup. The “how things are” of the world. By the end of the story, this may well have changed, been threatened, or have been disrupted and then restored. Exactly what happens to the initial world setup depends on the type of story you want to tell.
In other story theory, this is called the “inciting incident”. Really it is just the thing that causes the story to happen.
In my story, Legend, the trigger happens a few paragraphs in when Malial’s family are kidnapped. You should go read Legend, I think you would like it.
This is the thing the hero or protagonist needs to go and do to solve whatever the trigger caused to happen. In a romance, this is to win the affection of a love interest. In a classic fantasy, it might be to go and drop the magic doodah in the special fire, or something. You get the picture.
The quest embodies the thing that the characters int he story want or need to do. It is the both the goal and the journey towards that goal. Without a quest, the characters would just be sitting around drinking tea and saying mean things about each other. I actually wrote a story like that once and a quest still popped up anyway.
Sometimes called “the twist”, the surprise is something that the character or characters of the story did not see coming. In a good story, the audience should be supprised too.
The surprise is, perhaps, the hardest bit to get right. Too unexpected and it just seems like a “hand of god” moment. Too well telegraphed and it is not at all surprising.
The website changingminds.org has a guide to the 8-Point Story Arc. It says this about the surprise:
To work within the story, it should be plausible and make sense to the reader, at least in retrospect. Surprises should add to the story, increasing the involvement and ultimate pleasure of the reader. A poor surprise makes them feel disappointed and disillusioned.
This often, but not always grows out of the surprise. The critical choice may be an opportunity to give up on the quest or some other profound decision that will forever change the landscape of the story.
The critical choice should lead, logically (in retrospect), to the next surprise. In this way, the story can move between surprise and choice as often as make sense to you, the writer.
The climax is where those critical choices are building. In a romantic
In a romantic comedy, this is often a sudden and quite expected argument between the lead character and their opposite number. In a buddy movie, this is where the characters finally, and quite formulaically fall out. As I said before, this pattern is slavishly followed by western movie makers.
This should, if nothing else, be the moment of high drama. Unlike movie land, this climax should have been building for a while and be a logical extension of the choices. It should not be an artificial argument between brothers for the purpose of setting up a reversal.
For a different take on what the climax is for, check out the dailywritingtips.com 8-point arc article.
In badly written TV and movies, this is where the rather forced argument is resolved by the big gesture.
This is where everything the hero has learned is put to use. The hero integrates the changes that have been building up and undergoes their final transformation into the person they were becoming.
The bullied child stands up for themselves. The coward finally does something brave. The evil uncle embraces the power of good and does the right thing.
The reversal sets up…
This is where the story ends. The new stasis is created, the hero can go home. The prince marries the princess. they live happily ever after, or whatever.
The tensions of the story are resolved and the quest is laid to rest.
You get to write “the end” and as a reader, you feel satisfied (assuming the writer did a good job).
How to write a great story
For those of you that like to watch videos, here is a video presentation of the 8-Point Story Arc.
Over to you
Did you find that useful? Had you heard of the 8-Point Story Arc before? Do you, perhaps, use it in your writing or do you disagree with it entirely?
Let us know your thoughts int he comments section or come and chat with me over at the Author Buzz forums.