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Looking back

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Thanet Creative Writers have been round a long time, or at least it feels like we have.

Here’s a tweet from back in May 2015 when we were hosting a writer’s gathering in Broadstairs.

These days we hold our gatherings on a Tuesday so as not to conflict with another group with a similar name. We are still us and you are still as welcome as ever.

Why Thanet Creative Writers exists

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I am a contradiction – my grammar is poor, my spelling is horrendous, and my grasp of the English language is rudimentary at best. But I love writing.

I love talking about writing with other writers. I love seeing writers succeed – seeing good writers walk the path that takes them to being great writers.

More than that, I love seeing people who never thought they could write go on to realise that they are writers.

That last point, seeing writers realise they can, was an eye opener for me. I never realised how much I would love seeing that happen until the day I first saw it happen.

One day I might tell that story but all that love is not why we formed Thanet Creative Writers but it is a large part of why we keeping doing what we do.

So why did we start?

Back in 2010, I started saying to people “do you want to start something for writers?” I did that one very simple reason – I love writing but being a writer alone is hard.

Skip forward to 2013 and four people, all of whom had toyed with writing, got together. We did that not because anyone was making us but, like me, those other writers did not want to be writers alone.

Being a writer alone means that when you get stuck with a plot point there is no one to ask for advice.

Being a writer alone means that if you don’t quite get how to write strong dialogue, there is no one to nudge you in the right direction.

Being writer alone means having no peers to give you feedback or to learn from.

Being a writer alone means that you never, ever, get a chance to see inside the creative process of another writer. You get to see finished books on shelves and are left wondering – “how do I get there?”

Being a writer alone means that you have no way to know if what you are writing is any good or how to make it good. More importantly, you have very few options to get help figuring out how to keep improving.

I knew full well that writers groups existed in Thanet. My dad used to take me to poetry circles when I was young. The chances were that there were more somewhere.

I had no idea how to find these groups. It was hard work to find even a clue of other groups and, at the time, what I did find online was so old I could not be sure that the group still existed. None of those few groups had Facebook, Twitter, or even email. That suggested to me that the people in those were probably a lot older than I was.

When I was a child, all the writers seemed to have been doing the same thing for a long time and they all seemed to know what they were doing. Whereas I, quite clearly, had no idea.

So I did what anyone else could have done. I called on my Facebook friends and three people answered the call. Then a few more. Then a few more. That was how Thanet Creative Writers was founded.

What we do is enable people to come together and share their love of writing. What we have is a vibrant community of people not only closer to my own age, but all ages. That gives us all the benefit of youth and aged wisdom at the same time.

That same vibrancy is present in our in-person events, in our social media “forums”, and in our wider writer’s community.

Whatever we do, it comes back to the same thing – we love writing and we want to be with other people who love writing.

If you love writing then come and join us.

Whatever you do, don’t be a writer alone.

Telling Stories at GEEK 2017

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This weekend I went to GEEK (Game Expo East Kent) which took place in Dreamland, Margate. While I was there I encountered three forms of storytelling – two that work well and one that does not.

The Story of GEEK

The first form of storytelling was the story of GEEK and Dreamland. On day two I met the storyteller in residence. His job was to record and tell the story of GEEK.

One of the ways he did that was to ask people to place stickers on boards. One board (shown), gave an impression of where people had come from. People, it turns out, have come from all parts of the country and other countries too, just to visit the game expo in Thanet. There were four stickers from people who had come from Romania to visit Thanet for GEEK.

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While every one of the many thousands of people that came to GEEK has their story to tell, GEEK itself has a story. When it comes to writing that is something worth remembering – no matter who you are telling the story for, the place the story is set has it’s own march larger story. Or, to put it another way, individual characters have a story that is just a part of a richer tapestry of story.

I am glad that GEEK are tapping into the wider story and I am looking forward to reading the story of GEEK.

The story form that does not work

I got to talk to a whole bunch of games developers at GEEK. With some of them, I spoke, at length, about story.

One of the interesting topics to come out of those discussions was how games get pitched. More and more often there are games pitches which start and stop on the story the game will tell. More than one developer has wondered if these people are frustrated film producers.

Games are fundamentally things you play with. They can have story or not. A good story can lift a good game to new heights but a great story can do nothing for a poor game.

Between us, we listed several games where we would pay good money to see a film based on the plot but the game itself was not the least bit fun to play.

At the end of the day, games are a medium with priorities that do not always include storytelling. Yet, with the right foundations of play and mechanics, a good story adds a dimension to a game that can be created no other way.

It was, we agreed, best to start with the game first and follow up with the story.

Then we found an exception that proved us wrong.

The exception

Late in the day on Saturday, I got talking to John William Evelyn, an artist, who had stripped back the mechanics of gameplay to the bare minimum in order to convert the medium of game into a medium for story telling.

I sat and played an utterly compelling demo of The Collage Atlas which is an exceptionally beautiful and novel “game”.

You know me, I love story telling. It should not be a surprise to anyone that I was somewhat captivated by this relaxing game. I anticipate that The Collage Atlas will be a must have game for me when it comes out.

The lesson for us as writers here is this: Whatever form you tell your story in, make sure the story is allowed to shine.

5 Great Sites for Writers

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When it comes to writing advice there is a lot of junk out there. There is also a lot of really good content hidden among the junk. If you are willing to search, there is truly amazing advice that will supercharge your writing with its insights. Here are five (ish) links that I think you will definitely want to bookmark.

1. Bane of Your Resistance

Bane of Your Resistance is a blog all about overcoming resistance to writing (such as writers block or being too busy to write). The tag line actually says so you can stop feeling guilty and really enjoy writing again.

Bane of Your Resistance is written by Rosanne Bane, TEDx speaker and general expert on such things. Rosanne Bane is a creativity coach, writing and creativity instructor, speaker and author. In other words, she knows what she is talking about.

If you struggle with not writing, and we all have at some point, then Rosanne Bane is the person that you need to be reading.

2. Funds for Writers

Funds for Writers is a website all about getting paid as a writer. It tells you all about grants you could apply for, competitions that pay well, and much more. While this would be of more use if you like American dollars and live in, say, the USA, it is nevertheless a great place to get inspired to think outside the box about funding your writing.

This will not be a site for everyone. Taking what you learn on Funds for Writers and the American market and applying it to the UK is going to take some personal effort and for some of us, that effort is just not worth it. For those us willing and able to put in the time, Funds for Writers can be a great source of inspiration.

3. Writers Helping Writers

Some of the best advice for writers I have read was found on Writers Helping Writers. If you are looking for advice on creating vivid characters, demonstrating motivation, dealing with difficult issues of pain in a story, or any other topic (those were just the ones on the front page when I looked just now), I assure you that you will come away feeling inspired and educated.

As the title of the website says, this is a site where writers offer advice and help to other writers. All of the articles are geared this way and the quality of advice is very high.

I have seen plenty of “me too” sites where the drive for daily content has resulted in a declining quality of articles and a general desperation that drives the editors to publish any half-baked junk they get sent. Writers Helping Writers is just the opposite. It is a website packed to the nines with high-quality advice. Advice that you could and should read.

4. Better Novel Project

The Better Novel Project is a blog that deconstructs best-selling novels scene by scene to show you why and how the novel works the way it does.

Take, for example, How to Write a Fight Scene (in 11 Steps). This is not just one writer’s personal opinion but a breakdown of how such scenes work in best-selling stories.

Before I wrote this guide I had not seen the fight scene breakdown. I stopped writing this guide and read the fight scene article intently. I can honestly say I have a better idea of how to write a fight than I ever did before.

If you only read one new blog this year, read this one.

5. Stack Overflow, no seriously.

“Can you really mean that?” you might be asking. “But Matt,” you might say, “SO is a geek website all about computers.” (Which it is).

Stay with me for a moment because I am about to let you in a secret. There are subsections of SO that are just perfect for writers. The first is called Writers and the second is Worldbuilding. I get lost reading these sites sometimes and have had some great feedback on many complicated issues. For example, the conditions under which a moon could be terraformed.

For example, in World Building, I got very good scientific insight into the conditions under which a moon could be terraformed and how that process might actually work in a very specific scenario.

Before you go and get stuck in, you need to understand that this is not a forum and chit chat is not well tolerated. SO is a question and answer site. The idea is that the best questions and the best answers rise to the top and the community is very active towards that goal.

Writers and Worldbuilding can be powerful friends to help you plan and write you great novel but it is worth taking the introductory tour first.

A bonus mention

With so many great sites that I could recommend (and a few I could recommend you avoid) there were always going to be ones I had to leave out. Here is a bonus link: Writers in the Storm it is a blog, every bit as good as the others I have already shared. With a title like that, I had to include it anyway.

How to receive advice

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There is a lot of advice about how to give advice but not so much on how to receive it. This seems wrong to me. Giving advice is something we all know how to do (or we think we do); receiving advice is a skill that is not so easy to master.

Being given advice is a mixed bag and no mistake. You need to be tough enough not to let the criticism get you down and yet open enough to let the advice of others guide you.

Realise that all people will sometimes be wrong

I am pretty sure it was Stephen King who said something like, if one person says something is wrong with your work then they are mistaken but if several people say there is something wrong with the same part of your work then they are probably right.

From this, I take that you should apply a pinch of salt to any feedback you get. At least half of the advice you get is going to be wrong or at least wrong for you.

People will say you need to do this or you need to change that. Sometimes they are right and sometimes they are wrong.

It is even harder when you really respect the advice giver’s work. If King, Rowling, or Gaiman came to a Thanet Creative Writers event, (after they were done signing autographs), I would probably follow every correction and advice they offered me, without question. The chances are, though, they would be wrong (at least once).

Everyone who gives you advice is to some degree wrong. It is up to you to figure out what they are wrong about. A big clue, as King says, is if lots of people tell you a passage is broken, then it might be worth fixing that passage.

Not all advice should be followed

Another writer I admire, Neil Gaiman said something to the tune of, if someone says there is a problem with a passage you wrote then they are probably right but if they tell you how to fix it then they are certainly wrong.

Other writers will often tell you how they think you should write your work. This is because we writers often offer advice as if we were applying our own techniques to our own work. There is nothing wrong with that as such. However, it does mean that some writers will give you advice that does not fit, for your style.

Just like all advice is wrong about something, all advice does not apply to you. Learn how to silently discard advice that is wrong for you.

Don’t defend you work

Your work is your baby. It might be an ugly baby but it is your baby. I covered a similar point in the article about giving advice.

If your work was published, you would not be able to go to the home of every reader and explain it to them. Even so, the temptation can be to try and defend you work, to explain what you were doing, or to show the other fellow how they are wrong. This is rarely helpful but it eats up time that could be used for getting or giving more advice.

If the other person is wrong or does not “get” your work, thank them, make a note that you might need to help some readers “get it”, and move on to the next thing.

The best place your answer or clarification can go is in the writing itself. That need to explain your writing after the fact only goes to show that you have a bit more work to do. That inner voice is simply your internal writer getting ready to do more work. Don’t waste that muse on just one person, share it with us all via your writing.

Listen actively

Active listening is a skill. I am not sure if I have mastered it yet, if I am honest. When getting advice or feedback, the best thing I can do is shut up. The same probably goes for you too. Planning on not saying anything gives maximum chance for your brain to take on board what you are being told.

That said, if you don’t understand the advice then ask the person to clarify. Remember you are here to listen to other people talking to you so the shorter your question the sooner you can go back to getting feedback.

I would love to say this is easy to do. Frankly, when I am excited about a topic I can talk forever about it. I know full well that shutting my mouth so my ears can listen takes effort. If you know of a way to make this super easy, please tell me.

Learn how to ignore destructive criticism

Sooner or later you will get advice from someone that is four parts spite to three parts rubbish. Worse, is the critique that simply says this sucks. This sort of advice is all about how you suck and not a lot of advice on how you can stop sucking.

My own mother, who is as sarcastic as I am, once gave me feedback on a short story which went something like it has been done before by other people and they did it better.

I laughed because normally mums say it was very good dear, but my mum was being a bit more honest. Sadly, this was also advice with just as little value in it for me. I love my mum but I also know that this was not advice I could do anything with.

Don’t let praise go to your head

Recently I have received feedback on a chapter from a draft novel. More than one person made a positive comparison to Douglas Adams’ work. This did wonders for my ego and for a few days after I felt like I had made it and was about to be very rich.

I had made the mistake of letting praise go to my head.

I have no advice on how to do it but don’t let praise go to your head. Praise is nice. It builds confidence and feels wonderful but it rarely helps you figure out how to make a good work even better.

Over to you

Do you have any tips to add? Have you been given feedback that changed everything? Have you been given criticism that crushed you? Tell us about it in the comments below.

Advice on giving advice

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Giving advice to another writer is often part of being in a writer’s group. Generally simply saying what worked for you and what you felt could be better is all that is needed. 

Here is some advice on giving advice.

Remember what you are giving feedback on

Suzannah Windsor Freeman’s first tip in her 5 Keys to Giving Constructive Writing Critiques is, read thoroughly. You are giving feedback on writing, not the person, the paper, or the font choice.

You are giving feedback on someone’s work. Sometimes this is a work that has come from deep within the writer and they are very attached to. For example, positivewriter.com describes some work as an ugly baby – no matter how hideous the baby, it is still someone’s baby, so be gentle.

For example, writingforward.com suggests you Devour the Food, Not the Hostess. In other words, focus on the writing, not the writer.

Don’t forget the positives too.

For example, writingforward.com suggests that When you are giving a critique, always start by emphasising the good and positivewriter.com suggests that you start with the positive.

Don’t insult someone’s ugly baby, especially early on in the writing process. Ask questions to help the author find their story. Sometimes they’re too close to their own words to achieve objectivity. says positivewriter.com

Seek balance in your feedback

Suzannah Windsor Freeman reminds us to Praise, but don’t sugarcoat. It is possible to be “too nice” as well as “too harsh”.

Put criticism between praise

If in doubt, there is always the feedback sandwich a shortcoming slipped between two positive points. This is something that Celes from personalexcellence.co suggests. She says, I refer to the feedback sandwich as PIP, which stands for Positive-Improvement-Positive.

Try using two pens

It might sound crazy but use two pens when giving feedback.This is a suggestion from weareteachers.com. If you have one colour for the positives you have noted and another for the things that need work, you can see instantly if you are being balanced.

Follow-up

Sometimes feedback can be a little crushing. Having handed out a dose of reality to a writer are you ready to follow up on it? This is why writingforward.com suggest that you Nurse the Hangover. In other words, contact the writer a few days later and see how they are getting on.

At Thanet Creative Writers some of our guests at Tea and Chat will bring back the same writing three or four times. While it can be a chore to read similar work over and over it also is a joy to see a story grow into something special. However, not everyone will do that so think about following up with people whose work you have given feedback on. After all, I am sure you would feel better if others did the same or you. I know I do.

Over to you

Do you have any tips to add? Have you given feedback that really helped? Have you had truly great or very bad feedback? Tell us about it in the comments below.

Let’s sort this out?

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This is written in response to the constant stream of accusations, threats and outright lies that are being aimed at M. Brown, and therefore us as a group.

A bit of background; In 2013 an idea for a writers group (called Thanet Creative Writers) was thought up in M. Brown’s mind. He shared his idea with me and others joined. Thus leading to the first ever meeting in M. Brown’s home. The second happened in a cafe in Margate.

We had been running successfully for a long time and had around 30 members. We decided to start meeting at a local pub. A while after that a ‘certain person’ joined in 2015. The group grew considerably, the name was changed by a vote of members (to Thanet Writers) and a website was produced, by M. Brown and a couple of others with the know-how.

Then, for reasons I am not going to go into here as it’s not the reason for this article, myself and later M. Brown, were removed from the facebook group, and didn’t feel welcome at any meetings.

This leads to M. Brown returning to the original format, with the original name, ideas and most of the original members.

It now seems that a certain person, possibly a member of Thanet Writers (unrelated), is going around spouting lies and rumours about one of us that are nasty and unfounded.

We are being accused of everything from posting ‘nasty things’ about the ‘leader’ of theThanet Writers and its members & making accusations against the ‘leader’ and/or its members, to copyright infringement & fraud. We have no idea if this is all from one person without the knowledge of his members, or if this is him with others involved. We have no idea if these so called posts even exist.

We don’t know what we have done to these people to make them feel it’s necessary to barrage us with this, and we have asked them on numerous occasions to provide proof of what we are being accused of. Nobody has come forward to explain any of it. Instead, they hide behind their keyboard to write various nasty emails, ‘open letters’ and ‘To my accuser’ posts in public arenas to gain sympathy for something they say is happening to them but have yet to substantiate.

The relentless campaign against us is causing great stress that we could all do without.

It appears that this individual is trying (and succeeding in parts) to turn people against us, and it has resulted in them losing members, and us being ‘blacklisted’ or ‘banned’ from other groups and events.

This is wholeheartedly not what writing is about.

Thanet Writers have been getting their information from a third party (so they say) and that third party is the person who sent the posts in the first instance to the ‘leader’, and it seems that he or she are saying they were from us.

We would like to know who this third party is. We would also like to know where you are finding all of these alleged posts that you like to pass on while saying they are from us…

Let me try to explain better. In one of these ‘Open Letters’ it is stated, and I quote from the original letter;

Recently I was made aware by a third party that you have made numerous posts containing allegations, which combined with statements you have made towards or about me have lead me to write this open letter. Usually I would not publicly respond to such matters, but after being sent these posts it appears you are putting me in a position where I have to.

This particular ‘open letter’ (posted publicly) was the very first time that we had heard about any such posts, allegations or statements. It was quite confusing to even receive such a letter.

The following quote is the private emailed reply (from M.Brown) to the author of the quote above. It is taken from an email conversation, sent in December 2016, between the two main people involved in this… shite.

Look, clearly, there has been some shit-stirring going on. If it’s not come from me (I hate that crap), and if it’s not come from you (you say it’s not), then who the hell has it come from? Solve that, and we can both go back to doing more interesting things. I read your “open letter”. I found it sufficiently vague to leave me in the dark. I am not going to respond to it because I have no idea what I am responding to AND because I am not going to get into that kind of argument. I am very annoyed that I have to address this at all. I shall file this under “another crappy 2016 thing” and move on. If you could do likewise, that’d be good. This is not an invitation to reply. It’s just a heads up and a request that you deal with your stress in a way that does not include me. Thanks.

Well, this reply did not work. Quite obviously, due to the fact that we are still receiving (so called) ‘olive branches’ & ‘Open letters’ and things posted publically aimed at us. I can only assume, based on this conversation being sent via private email, that the aforementioned ‘third party’ is the one doing the stirring.

We cannot stress it enough; so listen up.

WE, AT THANET CREATIVE WRITER’S, HAVE ABSOLUTELY NO IDEA WHAT YOU ARE TALKING ABOUT.

To clear up some of the rumours;

  1. Contrary to the popular belief of others, none of us have ever posted anything at all detrimental to other writers, and we emphatically implore anyone who accuses us of doing so to provide us with evidence (in black and white) of what it is we are supposed to have done, and to prove it, beyond all reasonable doubt, that it came from us. If anything we publish makes you unhappy then tell us about it and we will do our best to make things better.
  2. Contrary to the popular belief of some people, Thanet Writers is not the original group, and we did not copy them, or ‘their’ name. We simply reverted back to the original name after the unpleasantness happened.
  3. We did not copy them in becoming a charity. This has been in the pipeline for a considerable amount of time. The ‘leader’ of Thanet Writers is aware of this as he was the one who suggested we wait until we became a bigger group.
  4. M. Brown, I. Adams, D. Clements, K. Peake, and H. Yasumi, A. Winder and myself (L. Winder) were, are and have always been the original founding members of Thanet Creative Writers. That is never going to change, no matter who tells you differently.

We are utterly sick to the back teeth of this rubbish. It is not something we started, it is not something we wish to carry on with and it is not what we, as writers, want to be dragged into on an almost daily basis. This shite will damage the local writing scene (as proven already) more than is necessary and not through any fault of our own.

We have sent a Peace Treaty message to one of Thanet Writer’s admin (H.F) asking if we can try to resolve this nonsense somehow, and we have not yet been answered. We decided to go down this route when it became quite obvious that the ‘particular person’ mentioned above is behind the detritus being aimed at us. We, after writing and sending it, received yet another ‘Open letter’. We then sent another message to the same admin asking if the peace treaty had been shown/read out to Thanet Writers. We are still waiting for a response.

Please, I implore you again, either provide us with these posts, statements and accusations you keep adhering too, or leave us alone.

Simply put, we have had enough. Put up, or shut up.

 

L. Winder, Lead Proof Reader at Thanet Creative Writers, Trustee and secretary of Thanet Creative Writers: Charity; and one of the original co-founders of the now named Thanet Writers.

Thanet Creative Writers, Then and Now

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We’ve been going a long time and I thought it worth a look at where we started to see how far we have come.

Thanet Creative Writers started as an idea I had. An idea is nothing if you don’t share it and so I shared this idea with some other people. Our first meeting was in 2013 and consisted of four people. Myself, L. Winder, D. Clements, and I. Adams. We were ably supported by others particularly by A. Winder who did a lot of location scouting for us.

We were later joined a by a host of other people including: my dad (if you ever get to see his art do because you are in for a treat); the proprietor of SNK where we relocated for a while; and many others. I think our new charity secretary wants to cover more on that so I will let her fill in the details.

We spent a lot of time tinkering with formats for events trying to work out what worked best for writers. Even then, we seemed to specialise in helping new writers get started. To this day I get a real kick out of seeing people who always felt they wanted to write get started. I could listen to hours as they tell me about the plots, characters and settings that they have developed for their work.

Today, four of the five original members are trustees and all five are very strong supporters of our community.

The road from here to there has not always been smooth, there were some bumps along the way, but here we are now having grown from a ragtag bunch of oddballs interested in writing into a Charitable Association hoping to help many more people find the joy of writing.

It has been my distinct privilege to watch writers develop – some faster than others – from unsure beginners into confident writers. It has been an honour to walk that road with them.

I don’t know what the future holds but it is my fondest desire that we will be able to contribute something worthwhile and good to the local writing scene. May our mistakes me slight and easily forgotten and our successes to the benefit of all.

Now we are a charity

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Yesterday evening a number of our regulars and other supporters gathered to progress Thanet Creative Writers from an Unincorporated Association into an Unincorporated Charitable Association.

On the surface, this might not seem like much of a big deal but this is the end result of months of planning and a high point we have been aiming towards for a long time. Despite cyber-bullies, baseless legal threats (from said bully), and general unpleasantness from what is likely a single individual in need of a hug, we joyfully saw a project that has run for the last four years become something more.

The formal signing of the Constitution saw the first seven members added to the charity and this was followed by the acceptance of five trustees including the three officers.

  • Mr M. Brown (that’s me) was unanimously elected Chair
  • Mrs L. Winder was unanimously elected Secretary
  • Mr D. Clemence was unanimously elected Treasurer
  • Mr A. Winder was unanimously elected as a trustee
  • Miss D. Gifford was unanimously elected as a trustee

Membership[ of the charity is not required for coming to our events. However, sponsorship by a member and a donation of at least a pound to show you mean it is required to be a member.

It is safe to say that we are hugely thrilled by this new chapter in our community’s history. Not least of all because now the community truly can be owned by the members and I can stop saying “this group is all about you, not me” because now there is a huge constitution that says so with a lot of words.

Those who expressed an interest in being a trustee, (but not just now), or expressed an interest but did not follow through by giving us your details in time, we will be holding an AGM at roughly this time next year and that would be the ideal time to step up if you still want to.

I am rather hoping that some of newly minted trustees will feel the inkling to post here too. I am sure that you will grow tired of hearing from me soon enough. Until then, I hope that you will join me in congratulating our new committee and the members that made it all possible.

Charity Trustees

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Thanet Creative writers are soon to become a charity. As part of that transition, we will be appointing trustees.

Trustees are an important part of a charity. A good selection of trustees can make a huge difference. A good board can help turbo charge the effectiveness of a charity.

According to reachskills.org.uk:

At its heart, being a trustee puts you at the centre of the action for the organisation you are involved in. The more effective the board of trustees, the greater difference you and your organisation will make.

If you feel like reading some more Ian Joseph from Trustees Unlimited offers advice on the questions trustees must ask to ensure they are fully aware of what they are getting into.

How much time will it take?

The amount of time it takes being a trustee differs from one charity to another. For Thanet Creative Writers you will probably be looking at a few hours a month, usually on one evening.

What are my responsibilities?

The trustees act on behalf of the chairty. In the case of Thanet Creative Writers the board literally reprisents the interests of all the members. In practice though, your repsonsibilities may be limited to asking the difficult questions and voting fairly.

Some trustees may be asked to hold items or money in trust (thus the name) as the charity will not be able to own them itself. Again, in practice this is not likely to make much difference to you as we will be setting up a seperate group bank account when and if we have a surplus of spare cash.

Chairty Commision Trustee guide has more details.

One more thing – It is you duty to speak up if you disagree. If you disagree with a decission the board makes then you need to go on record as objecting. If you are in the meeting it can be as simple as saying I’d like to go on the record as disagreeing.

It might seem quite minor, but it can be very improtant that the records ofthe charity reflect if a choice was unanimouse or if there were other ideas.

However, most boards try to reach full agreement on issues, if they possibly can.

Who can be a trustee?

Pretty much anyone can be a trustee. Unless you are bankrupt or were recently found guilty of fraud.

For Thanet Creative Writers, you need to be a member which means applying to become a member or being there on Thursday as we transition into a charity – in which case you are automatically a member. You can read more here

Take a look at the TCW Tustee Nomination Form if you would like to stand for election as a trustee. But be quick the forms need to be returned by the end of Wednesday.